shostakovich violin concerto

So many of today’s violin concerto recordings sound artificial because of their spotlit miking of the violin, making it sound gargantuan in relation to the orchestra. It was too abstract, and not sufficiently affirmative in style. 1. The concerto he wrote took the suffering of his absurd and treacherous world and transmuted it into something beautiful and profound. Don’t miss Shostakovich’s Violin Concerto No. 77: I. Nocturne: Adagio", "Violin Concerto No. By this point, years of tobacco, alcohol, and state sponsored terror had taken a toll on Shostakovich; he had suffered his first heart attack the year before, the night after his final public performance as a pianist. 2016 Editors’ Notes This young Scottish violinist has precisely the right stylistic range for Shostakovich’s explosive and mercurial first violin concerto. The cadenza becomes faster and more intense as it progresses, recalling ideas from the previous movements, including the DSCH motif. Ibragimova challenges herself even further by playing the opening theme of the finale as a solo, which Oistrakh rejected as too difficult. Concerto No. An increasingly tense series of variations follows, until the solo violin takes up the bass line itself before returning to its original melody. Violin Concerto No. A combination of depth, brilliance and humor, Patricia Kopatchinskaja brings a sense of theatrics to her performances of Shostakovich's Violin Concerto No. She does not miss the humor, also Beethovenian, at the beginning of the finale. Listeners expecting another Oistrakh may be disappointed, and returning to a Russian orchestra does not seem to have produced a more melancholy aesthetic in Jurowski's music-making, but heard on its own terms, the album is a total success. It would have been laughable if only so much had not been at stake. Gidon Kremer delivers the starkest, and therefore the most authentic, version of the austere Shostakovich Violin Cto. Bruch: Violin Concerto No. Because of the delay in its premiere, it is unknown whether or not the concerto was composed before the Tenth Symphony (1953). In the concertos of the previous century, cadenzas were normally placed just before the end or at the climax of the first movement. He wrote it in the spring of 1967 as an early 60th birthday present for its dedicatee, David Oistrakh. 2 in 1967 for David Oistrakh, to whom the score is dedicated.It was meant to be a gift for the violinist’s sixtieth birthday, September 30, 1968; in … It was premiered unofficially in Bolshevo, near Moscow, on 13 September 1967, and officially on 26 September by Oistrakh and the Moscow Philharmonic under Kirill Kondrashin in Moscow. But in the case of this 1957 broadcast of Shostakovich’s Violin Concerto No. 1 in A Minor, Op. ... Shostakovich - Violin Concerto No. In 1948 David Oistrakh was almost 40 and recognised as the greatest string player in the Soviet Union, although World War II and the Cold War had delayed his international career. The Violin Concerto No. Not long after the appearance of Shostakovich’s musical signature, the music arrives at a boisterous, klezmer-inspired central episode. Fiddler on the Roof? Required fields are marked *. 1. Dmitri Shostakovich (1906-1975) composed music in a turbulent political climate where Soviet authorities alternately praised and condemned his work. In this movement, Shostakovich introduces for the first time what would become his musical signature: the notes D-Eb-C-B (in German, these notes are called D-S-C-H, a cypher for Dmitri SCHostokowitsch, the German spelling of Shostakovich’s name). In 1948, Shostakovich had just completed his First Violin Concerto, but locked it away in a desk drawer; this probing and sometimes sarcastic work might seal his doom with the Soviet authorities. 1 In G Minor. Violinist David Oistrakh, for whom both these works were composed, called the Violin Concerto No. His inclusion of klezmer-inspired music in this concerto and a number of other works that followed may have been another veiled protest against the regime. COMPOSED: July 1947 to March 1948, but it was not published until 1956, with revisions possibly having been effected in the interim. This recording of Shostakovich Violin Concertos (the more expensive original release can be found here) is highly recommended for passionate violin playing with thoughtful emotional context and excellent technique by the late, underrated Lydia Mordkovitch, sympathetic and dynamic orchestral accompaniment from Jarvi and the Scots, certainly over Rostropovich and Seiji Ozawa, and terrific, full … 2 in C-sharp minor, Opus 129, was Dmitri Shostakovich's last concerto. Scherzo: Allegro non Troppo" and more. Notify me of follow-up comments by email. In "Nocturne," Benedetti blends her quiet yet powerful sound with the string section of the Bournemouth Symphony Orchestra, reflecting the music’s halting caution. After a quieter variation for winds, the soloist enters with an expressive melody. Your email address will not be published. That may be, but Skride 's Shostakovich and Janácek violin concertos doesn't entirely … After Stalin's death in 1953, times were more auspicious. 2 that I've encountered. Having defeated the enemy without, the Soviet government soon resumed its incessant witch hunts for enemies within. But the score was not suitable to the the times. Dmitri Dmitriyevich Shostakovich (25 September 1906 – 9 August 1975) was a Soviet Russian composer and one of the most celebrated composers of the 2. Shostakovich finished his violin concerto anyway, although it would not be premiered until after Stalin’s death in 1955 (the violinist for the premiere would be the great David Oistrakh, featured below. When Shostakovich began composing his First Violin Concerto in 1947, he was enjoying a period of relative calm. Explore the 2020–21 season and purchase your subscription today! Shostakovich from Alina Ibragimova 29th May 2020 The Russian-born violinist brings searing intensity and muscular tone to the two concertos, backed to the hilt by Vladimir Jurowski and the State Academic Symphony Orchestra of Russia 'Evgeny Svetlanov'. 99 ‎ (LP, Mono, Promo) Columbia Masterworks: ML 5077: USA & Canada: 1956: Sell This Version In "Nocturne," Benedetti blends her quiet yet powerful sound with the string section of the Bournemouth Symphony Orchestra, reflecting the music’s halting caution. The rationales given were ludicrous; Shostakovich and other composers were forced to listen to long harangues from cultural apparatchiks laden with virtually meaningless terms like “formalism” and “socialist realism.” Despite having sincerely tried to understand these terms for the past two decades, many composers came to the conclusion that social realist works were simply the ones in favor at the moment and formalist ones were not. Climaxing with the return of the klezmer theme in the violin’s highest register, the cadenza then accelerates into the finale. 2 in C-sharp minor for Violin and Orchestra, Opus 129. 1 this Thanksgiving weekend, November 24, 25 & 26, 2017! With little warning, Shostakovich and other leading Soviet composers found that many of their works that were once praised were now banned. Alas, by the time Shostakovich completed the violin concerto in 1948, the situation had changed completely. Shostakovich: Violin concertos 1&2 (Hyperion) 0. Violinist Nicola Benedetti has just recorded Shostakovich’s mind-blowing First Violin Concerto (the album is available to buy now on Decca). Dausgaard leads the orchestra in music by Denmark’s greatest musical hero, Carl Nielsen. This was not the first time such things had happened, nor would it be the last. 1 Violin Sheet Music. The long cadenza at the end of the third movement of the first concerto is a soliloquy on a blood-stained landscape, a passage so lengthy that Oistrakh persuaded the composer to give him a break at the start of the finale. We asked her to talk us through a work that she says is “totally overwhelming the first time you encounter it” The concerto opens with an unsettling Nocturne 2 in C sharp minor, Op. BORN: September 25, 1906.Saint Petersburg, Russia. Your subscription means more than ever. Shostakovich referred to his Violin Concerto No 1 in A minor, begun in 1947 in the aftermath of the second world war but not premiered until 1955, as a symphony for violin and orchestra. In 1942, Shostakovich unveiled his Leningrad Symphony, which won a Stalin Prize and was played across the allied world as a symbol of solidarity in the fight against the Nazis. COMPOSED: Shostakovich composed his Violin Concerto No. Your donation helps the Houston Symphony enrich the lives of more than 400,000 Houstonians annually. 1 For Violin And Orchestra ‎ (LP, Album, RE) Мелодия, Мелодия: CM 04291-2, 33CM-04291-2(a) USSR: Unknown: Sell This Version The latter is missing from this reading by violinist Alina Ibragimova and conductor Vladimir Jurowski, leading the cumbersomely named State Academic Symphony of Russia "Evgeny Svetlanov," but Shostakovich called the work a "symphony for violin and orchestra," and not only because it has four movements: it is an exquisite, turn-on-a-dime essay in soloist-orchestral balance that features one of the most difficult solo parts in the repertory (remarkable, in view of the fact that Shostakovich did not play the violin). Advertisement. The premiere of the second violin concerto was given in Bolshevo, near Moscow, on 13 September 1967 by Oistrakh with the Moscow Philharmonic under Kirill Kondrashin. Stream songs including "Violin Concerto No. The opening Nocturne is a somber, meditative soliloquy for the soloist, accompanied by dark-hued orchestral timbres: After this introspective night music, the ensuing scherzo is a wild, frenetic dance. The bass line in this case is a heavy, oppressive figure introduced by the cellos and basses, as horns play pulsing figures and arpeggios above it. Your email address will not be published. In the arts, literature was the first target after the war, but by 1948 it was music’s turn. !” This last phrase he shrieked out like a frenzied maniac, and then kept on repeating it. 2 in c sharp minor Op. The Violin Concerto op. Regarding the persecution, Shostakovich remarked “…how ‘this’ had started with the Jews but would end up with the entire intelligentsia.” The revelations of the atrocities of the holocaust further fueled Shostakovich’s interest in Jewish music. Shostakovich corrected his mistake and composed the Sonata for violin and piano “in honour of the 60th birthday of David Fyodorovich Oistrakh” the following year. Bruch wrote a couple of gorgeous concertos: it was a toss … This mournful music fades seamlessly into the cadenza, an extended passage for the soloist unaccompanied by the orchestra. Shostakovich titled the last movement “burlesca,” an indication that fits the music’s darkly comic atmosphere. Listen to Shostakovich: Violin Concerto No. The First Violin Concerto is not only a major individual accomplishment from Shostakovich but it is also a major contributor to the form of the violin concerto in its four-movement form. 1 in A Minor, Op. State Academic Symphony of Russia "Evgeny Svetlanov,", Violin Concerto No. Advertisement. The third movement is a passacaglia, a type of baroque theme and variations in which a bass line is repeated as new melodies and textures are introduced above it. DIED: August 9, 1975.Moscow. Ibragimova is likewise solid in the later Violin Concerto No. This site uses cookies. For his actual sixtieth birthday, Shostakovich composed a violin sonata: his Opus 134. 1. We cannot know what Shostakovich was thinking when he wrote this passage, but one of Shostakovich’s comments to his friend Maria Sabinina after being forced to read a speech at this time seems to resonate: “And I got up on the tribune, and started to read out aloud this idiotic, disgusting nonsense concocted by some nobody. World War II had distracted Stalin’s government from show trials and purges, leaving artists slightly less harassed than usual. Save my name, email, and website in this browser for the next time I comment. –Calvin Dotsey. D. Shostakovich* - David Oistrakh*, New Philharmonia Orchestra, Conductor Maxim Shostakovich: D. Shostakovich* - David Oistrakh*, New Philharmonia Orchestra, Conductor Maxim Shostakovich - Concerto No. Shostakovich and Oistrakh. Toast to 2021: Cocktails Inspired by A Big Band New Year. 1 in A minor, Op. Shostakovich Violin Concerto No. Dmitry Shostakovich had completed his First Violin Concerto during the 1950’s, and he dedicated it to the great Soviet violinist David Oistrakh. 129, one of those late Shostakovich works in which he seems to be swinging for the Beethovenian fences in the heavily polyphonic first movement. 129, Museum and Exhibition Complex 'New Jerusalem', Moscow. 1, the bigness seems to come from David Oistrakh’s violin itself. When Shostakovich began composing his First Violin Concerto in 1947, he was enjoying a period of relative calm. If the composer's precarious state of mind under Stalinist repression does not come through, the clean, jewel-like craftsmanship of the work does. Dmitri Shostakovich. Dmitri Dmitriyevich Shostakovich was born in St. Petersburg on September 25, 1906, and died in Moscow on August 9, 1975. Ibragimova is likewise solid in the later Violin Concerto No. Though not Jewish himself, Shostakovich noted that “My parents considered anti-Semitism a shameful superstition, and in that sense particularly I was given a very good upbringing.” Unfortunately, not all Soviets were so enlightened. 77, "Shakespearean," and imbued the work with a theatrical mixture of brilliance and inwardness. The following variation features chant-like repeated notes reminiscent of the elegy from Tchaikovsky’s Third String Quartet. Dmitri Shostakovich, David Oistrach, The Philharmonic Symphony Orchestra of New York, Dimitri Mitropoulos: Dmitri Shostakovich, David Oistrach, The Philharmonic Symphony Orchestra of New York, Dimitri Mitropoulos - Violin Concerto, Op. # -E-C # -B, but it later morphs into the more usual form at stake praised were now.! Boisterous, klezmer-inspired central episode in 1947–48, but thrilling conclusion to come from David.. 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