trevor paglen: bloom

Trevor Paglen NSA Surveillance Base, Egelsbach, Germany, 2015 C-print 91.4 x 139.7 cm Metro Pictures Contact Gallery. Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. We disregard the future. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. These flower formations have been imagined by various computer vision algorithms created to analyse the constituent parts of real-life photographs. This dataset was created by State Farm insurance to adjust their insurance premiums in real-time, based on that information. 10 September 2020 - 10 November 2020 / Pace London / Art Categories Events, Exhibition / Art Tags Pace London, Trevor Paglen / / / / / Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. Bloom Trevor Paglen / Bloom 10.09.20 - 04.11.20. These simple truths resonate through Trevor Paglen’s works. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen—on view at Pace Gallery’s London venue, ... Related Articles “Bloom” is a series of high-resolution photographs of flowering trees. In Bloom, which opens September 10 at Pace, two sculptures demonstrate the discriminatory history of facial recognition technologies. September 10 – November 10, 2020. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen —on view at Pace Gallery’s London venue, with a … The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. Our website uses cookies to improve your user experience. Trevor Paglen: Bloom (#9b746d), 2020, dye sublimation print, 40½ by 54 inches. FAD Magazine is a daily news website covering: Fashion, Art and Design. Trevor Paglen’s recent body of work, called “Bloom,” is rooted in his investigations of technology and machine learning and functions symbolically as a meditation on life and death inspired by the artist’s pandemic experience. Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Trevor Paglen The Disasters, 2020 pigment print 147.3 cm × 147.3 cm (58″ × 58″) © Trevor Paglen, courtesy the artist and Pace Gallery. Trevor Paglen (b. The artist’s large-scale photographs Bloom validate intuition that something is ‘off’. Trevor Paglen (born 1974) is an American artist, geographer, and author whose work tackles mass surveillance and data collection. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure Artist Trevor Paglen discusses why AI image datasets are problematic, and why he’s turning the lens on the public in Bloom, his new show at Pace, London. – Trevor Paglen, June 2020. The world has become too complex and too fragmented for any human to fully comprehend it. About. “The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. LONDON.- Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Computing systems that collect, interpret and operationalize data that defines and tracks identity, movement, and habits fuel the artist’s broad practice. Trevor Paglen: 'I’d go outside and have this overwhelming sense of fear but at the same time I was watching nature explode' How the artist made his new show in the midst of a pandemic. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. Bloom (#a5808a), 2020. Artist Sammy Baloji on Colonial Legacies, New Stories and … Sort: Trevor Paglen. The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. Since 2005, the Pew Center for Arts and Heritage has awarded more than $143 million in grants, funded over 1,400 projects, and supported 352 individual artists via annual Pew Fellowships. Our website uses cookies to improve your user experience. Trevor Paglen: Bloom. Trevor Paglen: Bloom; until 10th November 2020; Pace Gallery, 6 Burlington Gardens, W1. Technology is seductive. Four current shows are evidence. Artist Trevor Paglen discusses why AI image datasets are problematic, and why he’s turning the lens on the public in Bloom, his new show at Pace, London. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination , 2017 Dye sublimation metal print The world is a messy place. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial … Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. It will coincide with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Art news, exhibitions, competitions and lots more every day, Join the FAD newsletter and get the latest news and articles straight to your inbox, deeds to a château in France (Coming 2021), Obvious and RAWS team up to create a new contemporary reinterpretation of parietal art, Pace Gallery to open new 8,600-sq-ft gallery space in central London, Watch Patti Smith Celebrate Biden inauguration with free virtual performance on FAD magazine, The Top 5 Online Exhibitions to see in January. We disregard the future. Trevor Paglen. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. Octopus builds on Paglen’s current practice, allowing visitors to engage with his exhibition through a web portal that allows each participant to see the gallery from the viewpoint of cameras trained on various angles of the artworks and the gallery itself. Artist Peter Doig is collaborating with Kim Jones for Dior Men FW21, See You Tomorrow – MA Art and Science Open Studio, Central Saint Martins, UAL, Wandering Intuition, a solo exhibition by leading figurative artist Henrik Aa.

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